“The perfect novel has three parts. In the first part, you describe everything you have ever learned about people. In the second part, you describe everything that has happened since the French Revolution began. In the third part, you offer readers a little perspective.”
-advice given to me on writing the perfect novel from Michael Mann in a dream last night
At the age of 84, my favorite living musician, Harold Budd, has died. I was listening to his record The Plateaux of Mirror when I received a text from a friend informing me of his repose.
For the last several years of my life, Harold Budd has been a regular fixture of my days. His The White Arcades (1988) and Lovely Thunder (1986) have been my regular companions while writing more than a hundred essays and a good portion of Something They Will Not Forget was invented while Abandoned Cities (1984) played on headphones. Budd began his career in the avant garde, but quickly became a close observer of nature and made music which modeled the serenity and sublimity of the Earth.
He was a mild man who created mild and contemplative music for a tumultuous period of human history. I admire him deeply and mourn his passing. Memory Eternal, Harold Budd, servant of the Lord.
My latest for CiRCE is about the strange, circuitous, and self-defeating path many private school kids take away from hypocrisy that just lands them squarely in the lap of hypocrisy.
For what it’s worth, I’m making my annual viewing of The Life Aquatic this Friday night. If you would like to watch the film at this time and on this date, as well, wherever you hail from, we could be together in spirit, etc.
My latest for CiRCE tackles the idea that tools are morally neutral and that Christians need to redeem every last banal, insipid waste of time the world throws at us.