My latest for CiRCE concerns the place of contemporary Christian music in classical Christian schools. Is it enough that a book, song, or record be “Christian”? Or, do classical Christian schools have a higher standard than “mere Christianity”?
If classical schools have a higher standard than “mere Christianity,” why?
And what is that standard?
There are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. 