For most of the year, I was ready to call Blackberry the best film of the year (and you really ought to see it), but no, it’s The Holdovers. A truly lovely film that heavily recalls the early work of Tobias Wolff, Peter Bogdanovich, and maybe a little bit of JD Salinger.
There are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. 